高更全集
保罗·高更
Paul Gauguin
与凡高、塞尚并称后印象派三大巨匠
各自走上自己独立的人生和艺术道路
他把绘画的本质看作是
某种独立于自然之外的东西
当成记忆中经验的一种创造
英国作家毛姆曾以高更的经历为蓝本
写过一部著名小说《月亮和六便士》让高更
出众的才华与过人的勇气
得到世人关注
18486月7日，出生于巴黎
1873与丹麦籍女子梅特苏菲·嘉丝结婚
熟练的工作处事经验使高更在此时已成为证券经纪公司交易的专家
The Forest Path
1874
8月，长男艾弥尔出生
经常参观巴黎的画廊与展览会
在杜朗·里埃及贝尔·坦基的画廊
开始购藏印象派画家的作品
源于直觉的一类美和经过模仿的另一类美。
两者的结合，加上必要的修饰，
就能产生一种伟大而又非常复杂的多样性
Portrait of Claude Antoine Charles Favre
Portrait of Ingeborg Thaulow
1878
夏日休暇时同毕沙罗一起
到庞达凡度假作画
Apple-Trees in Blossom
Geese on the farm
Riverside (Breton landscape)
Snow at Vaugirard
The market gardens of Vaugirard
Vaugirard church
Winter Landscape
1880
以油画7件、大理石胸像1件
参加第五届印象派画展
Clay jug and irin mug
Flowers and carpet (Pansies)
Houses at Vaugirard
Mandolin on a chair
Still life with fruit plate
1881
以油画8件
参加第六届印象派画展
Banks of the Oise
Corner of the garden rue Carsal
Flowers and carpet
Interior of the Painter’s House, rue Carcel
4月，三男詹尔奈出生
Party wall
Pissarro’s Garden, Pontoise
Pond with Ducks (Girl Amusing Herself)
夏天与毕沙罗、塞尚
在庞达凡度过
River bank in winter
Still life with Oranges
Still life. Vase with flowers on the window
年底，决定专心作画
The Queen’s Mill
Young Girl Dreaming (Study of a Child Asleep)
Bouquet of Sunflowers
1882
以12件油画与粉彩画
1件胸像雕刻
参加第七届印象派画展
At the Window
Aube the Sculptor and His Son
Blue Barge
Bouquet of flowers
Flowers and Japanese book
Gratte roosters path
Mountain landscape
Quarries at Pontoise
1883
1月
在自己绘画天赋召唤之下
辞去股票经纪公司的工作
投身绘画创作，每天作画
曾团结一批未成熟的青年
画家组成蓬塔旺画派
Aline Gauguin and one of her brothers
Double portrait of a young girl (Mademoiselle Lafuite)
Farm in Osny
Garden In Rue Carcel
Harbour Scene, Dieppe
Ingeborg Thaulow
12 月
罗伦（波拉）出生
准备移居巴黎郊外的浮翁
Mandolina and Flowers
Osny, rue de Pontoise, Winter
Quarry hole in the cliff
‥
高更的早期绘画，带有实验性，也很拘谨，令人联
想起在巴比松画派（Barbizon School）影向下毕沙
罗的作品。色彩略见后来发展的迹象，但仍很拘谨。
他把颜色做块面处理，自由地加重色泽的明亮感：
例如以鲜亮的蓝色画阴影，以红色画屋顶，而使之
自背景中突出。
‥
Stream in Osny
Street in Osny
The farm in Grue
The garden in winter, rue Carcel
Tomatoes and a pewter tankard on a table
Village street, Osny
1884
1月
与妻子和五个儿女
一起移居浮翁
A Henhouse
Abandoned garden in Rouen
An Orchard under the Church of Bihorel
Basket of flowers
Blue roofs of Rouen
Bouquet
Bust of a Nude Girl
Clovis Gauguin asleep
Hillside
Landscape near Onsy
年底移居丹麦哥本哈根
兼任法国商社代理人
Mette Gauguin in an Evening Dress
Nasturtiums & dahlias in a basket
Near Rouen
Normandy Landscape-Cow in a Meadow
Notre Dame des Agnes
Orchard under the Church of Bihorel (Children in the Pasture)
Osny, the gate of Busagny farm
Portrait of a seated man
Portrait of Aline
Portrait of Isidore Gauguin
Returning from the harvest (Manuring)
Rouen at spring
Rouen suburb
Rue Jouvenet, Rouen
Skaters in Fredericksberg park
Street in Rouen
Sunken Lane
The artist’s children
The cliffs of Le-Bouille
The Port Of Rouen
The road up
The Square Pong
Two Cows in the Meadow
Vase of Peonies
Wooded Path
Young Woman Lying in a Grass
Bare Trees
Bathing, Dieppe
Boy by the Water
By the Stream, Autumn
Cattle Drinking
Cliff near Dieppe
Conversation
Dahlias in a copper vase
Donkey by Lane
Evening Primroses in the Vase
与家庭断绝关系
过着孤独的生活
面临经济穷困状态
持续作画
Flower and a Bird
Geese in the meadow
Haymaking near Dieppe
Horse and Cow in a Meadow
Landscape with cows in an Orchard
Lilac bouquet
Oestervold Park, Copenhagen
Pere Jean’s Path
Portrait of Achille Granchi Taylor
‥
并通过毕沙罗卷入了印象主义的天地。受到印象派
朋友的影响开始作画，还受到象征主义，日本版画
以及而听文学等多种因素的影响。高更总是向往着
远方，留恋那些具有异国情调的地方，他要求抛弃
现代文明以及古典文化的阻碍，回到更简单、更基
本的原始生活方式中去，他很愿意过野人的生活，
这使他在39岁时踏上了去巴拿马和马提尼岛的旅行
在那里找到了自己期望的东西：茂密的植物、永远
蔚蓝的天空、慷慨的大自然、简朴的生活。
‥
Portrait of Philibert Favre
Red roof by the water
Self Portrait
Stabble near Dieppe
Still Life of Onions and Pigeons and Room Interior in Copenhagen
Still Life with a Mandolin
Still life with carafe and ceramic figure
The Forest Edge
Two vases of flowers and a fan
Watering Place
White House
Willows
Winter’s End
Women bathing (Dieppe)
1886
19件油画参加
第八届印象派画展
（最后一届）
Bathing in Front of the Port of Pont-Aven
Bathing Place
Bordeaux Harbour
Breton Woman
Clovis
6月
首次到布尔塔纽
滞留在庞达凡
会见艾弥尔·贝纳
Coastal Landscape
Cows on the Seashore
Farm in Brittany
Fire by the Water
Four Breton Women
11月
回到巴黎见到梵高
Fruit in a Bowl
Fruit
Landscape at Pont-Aven
Lollichon Field
Lollichon’s Field and the Church of Pont-Aven
12月
生病，住过巴黎的医院
Pont-Aven woman and child
Pots and Boquets
Red Hat
Rocks and Sea
Schooner and three masters
Stabble near Dieppe
Still Life with Cherries
Still life with horse’s head
Still Life with Profile of Laval
Still life with white bowl
Suburb under snow
La Belle Angele
The boss’s daughter
The vase of nasturtiums
Vase of Flowers
A Litter Washerman
A Seashore
Around the Huts
At the Pond
Coastal Landscape from Martinique
4月
妻子来到巴黎
带走克罗维斯
Huts under Trees
Madame Alexandre Kohler
4月10日
乘船到巴拿马
到马蒂尼克岛罹患赤痢
11月回到巴黎
Mango pickers (Martinique)
Martinique Landscape
他与印象派决裂提出艺术表现的“综合”
Still life with mangoes and hibiscus
Tropical Conversation
Tropical Landscape, Martinique
Two Girls Bathing
1888
从2月到10月
两度赴庞达凡
与贝纳、拉瓦尔一起作画
走向综合主义
Breton Woman and Goose by the Water
A little cat
Apples in bowl
Aven running through Pont-Aven
Blue Trees
Bouquet of Flowers with a Window Open to the Sea (Reverse of Hay-Making in Brittany)
他前往不列塔尼的阿凡桥
结识了贝纳（Bernard）
贝纳的一些观念受到高更修正和润饰
而形成今日为人所知的
“综合主义”（synthetism）
运动的理论基础
Breton Boy by the Aven River
Breton Boys Wrestling
Breton Fisherman
Breton girls dancing
Breton Woman with a Pitcher
Breton Women at the Turn
Captain Jacob
Cottages on Mount Sainte Marguerite
Cove opposite Pont-Aven Harbor
Étude pour La Ronde des petites Bretonnes
Fisherman and bathers on the Aven
简化了巨大形状
均匀单一的色彩
分割主义，无阴影的光
素描与颜色的抽象化，超脱自然
这就是高更所发现和创立的艺术
Fruits
Grape Harvest at Arles
Haymaking in Brittany
Head of a Breton (Marie Louarn)
In the Heat (The Pigs)
Kneeling cow
Landscape at Arles
但是他的这种幻想和艺术
在自己国家处处走投无路
Landscape near Arles
Landscape of Brittany
Landscape with geese
Lane at alchamps, Arles
10月20日
赴法国南部的阿尔
与梵高共同生活
Laveuses à Arles
Les Alyscamps
Little breton bather
Madame Roulin
11月
在梵高弟弟迪奥的筹办下
举行首次个人展览
Mas, near Arles
Meadow at the banks of Aven
12月24日夜
发生梵高割耳事件之后
高更回到巴黎
Night Cafe, Arles
Self-Portrait with Portrait of Gauguin, Emile Bernard
◈
正好40岁精力充沛而有主见，保留着尊贵高傲之气
他是位具有强烈个性、惹人讨厌又招人喜欢的人，
粗鲁和高雅并存，他总是强烈要求自我表达，要证
明自己的价值。
◈
Still-Life with Three Puppies
The Painter of Sunflowers (Portrait of Vincent van Gogh)
The Wave
the swineherd brittany
The Vision After The Sermon (Jacob Wrestling With The Angel)
Washerwomen At Roubine Du Roi
Self-portrait with Halo
At the Beach
At the Black Rocks
Beach at Le Pouldu
Bonjour Monsieur Gauguin
Breton Eve
Breton Women
Human Misery, from the Volpini Suite
In the waves (Odine)
Jeune Bretonne au bord de la mer
Pleasures of Brittany
Portrait of Meijer de Haan by Lamplight
4月至秋天
在庞达凡作画
The Yellow Christ
Seated Breton Girl
Self Portrait as “Christ on the Mount of Olives”
The Flageolet Player On The Cliff
The Green Christ or The Calvary
The Ham
The milkmaid
Madame la Mort
Meules de foin en Bretagne
Nirvana (also known as Portrait of Meyer de Hasn)
Portraits of Paul and Jean Schuffenecker
Landscape with Black Pigs and a Crouching Tahitian
atelier schuffenecker
Faaturuma (Mélancolie)
Orana Maria
portrait of suzanne bambridge
Road in Tahiti
Tahitian Women on the Beach
Te vahine fa'atūruma (La Boudeuse)
The Loss of Virginity (The Awakening of Spring)
The Man with an Axe
Tiare Farani (Flowers of France)
Vahine no te tiare (Woman with a Flower)
Young Man with a Flower Behind His Ear
The Sacred Mountain (Parahi Te Marae)
Are You Jealous？ (Aha Oe Feii)
Joyeusete
la siesta
Landscape with Blue Trees
Landscape with Peacocks
生命的热情何在
高更的塔西提手记
Mata mua - In Olden Times
Nafea Faa Ipoipo (When Will You Marry？)
Parau na te Varua ino (Words of the Devil)
Tahitian women under the palms
Te aa no Areois (The seed of the Areoi)
The morning
Woman with a Mango
持芒果的少女
sprit of the dead
游魂
Women at the Riverside
1893
2月至4月
视力衰弱无法作画
Gauguin, Mucha, & friends at Rue de la Grande Chaumière, Paris
5月回到法国
Among The Lillies
Illustration in the Noa-Noa Album, Tahiti
MoMA
Noa Noa Suite-Delightful Land
8月
在奥勒安的叔父去世
高更接受其遗产
在巴黎画室与女子安娜同居
Portrait of Louis Roy
Self Portrait with Palette
Self Portrait
Self-Portrait in a Hat
Tahitian mountains
Tahitian Pastorals
Te Atua (The Gods)
Tehamana Has Many Parents (The Ancestors Of Tehamana)
Breton Peasant Women (‘Paysannes bretonnes’)
Christmas Night (The Blessing of the Oxen)
Farm In Brittany
Flowers In A Fruit Bowl
Landscape in Brittany - The David Mill
Lying Girl Afraid of Spirits of the Dead
11月回到巴黎
作一系列十大张
与《诺亚·诺亚》有关的木刻画
Mahana no Atua (Day of the Gods, Jour de Dieu)
Paris in the Snow
Sacred Spring
The Guitar Player
Upaupa Schneklud (The Player Schneklud)
The Child
Canoe and Tahitian Family
No te aha oe Riri
Portrait Of A Young Woman, Vaite (Jeanne) Goupil
Savage Poems
scene from tahitian life
Self Portrait (Place of the Skull)
self portrait
Still Life With Teapot And Fruits
Te tamari no atua (The birth of a Christ)
Trois Tahitiennes, Paul Gauguin
Vase Of Flowers
1897
得知女儿阿莉妮去世的消息
深为悲痛与绝望
Where Do We Come From？ What Are We？ Where Are We Going？
Nevermore (O Taiti)
Bathers at Tahiti
1898
The White Horse
Two Tahitian Women
Three Tahitian Women Against a Yellow Background
three tahitians
woman_boy
Tahitian Woman with Evil Spirit
And the Gold of Their Bodies
Flight
Still Life With L'Esperance
Still life with sunflowers on armchair
tahitian idyll
Tahitian Woman And Two Children
Two Women aka Mother and Daughter
Crouching Tahitian Woman
Girl With A Fan
Nativité
岛上发生纷争
Still life with Parrots
The Magician of Hivaoa
Two women(a.k.a Flowered hair)
1903
5月8日
心脏病发作死去
巴黎伏拉德画廊举办高更画展
巴黎秋季沙龙举行高更追悼会
保罗·高更（Paul Gauguin，1848—1903）法国后印象派画家、雕塑家，与梵高、塞尚并称为后印象派三大巨匠，对现当代绘画的发展有着非常深远的影响。
高更生于法国巴黎，他把绘画的本质看作是某种独立于自然之外的东西，当成记忆中经验的一种创造，而不是一般所认为的那种通过反复写生而直接获得的知觉经验中的东西。和大多数同时代的艺术家相比，他的探索在更大程度上受到原始艺术的影响，特别是他对南太平洋热带岛屿的风土人情极为痴迷，这似乎要从他的家族背景和成长经历中追根溯源了。
英国作家毛姆曾以高更的经历为蓝本写过一部著名的小说《月亮和六便士》，其中虽对高更的生平与人格不尽真实，但也正是这部小说让高更出众的才华与过人的勇气得到世人关注，而高更的人生经历以及他的画作所体现出的对于现代文明的深刻反思非常具有典型性的。 [1]
艺术及其他：